Style and Fashion

Often described as the first contemporary art movement comprised of majority female artists, Pattern and Decoration — or P&D, as it is commonly known — defied the dominance of modernist art by embracing the much-maligned category of the decorative. P&D artists gleaned motifs, color schemes, and materials from the decorative arts, freely appropriating floral, arabesque, and patchwork patterns and arranging them in intricate, almost dizzying, and sometimes purposefully gaudy designs. Their work across mediums pointedly evokes a pluralistic array of sources from Islamic architectural ornamentation to American quilts, wallpaper design, Persian carpets, and Japanese Imari ware ceramics. more »

Julia Sneden wrote: As the Boomers moved into adulthood, they proved themselves able to make huge changes in laws and customs. They have immeasurably furthered tolerance among people of different races and religions. The causes they embraced have brought about new attitudes toward same-sex relationships, single parenting, women in the work force, the environment, and physical fitness. New marketing strategies were developed to entice Boomers. (Remember when you could buy shoes without a company's logo on it, or a shirt without the designer's name on the pocket?) more »

Despite the looming shadow in the 1930s of World War II, the magazine and book-publishing world thrived in New York City. The section “Art as Design, Design as Art” explores the ways the city’s budding graphic-design culture gave rise to a diversity of photography — as it absorbed literary, painterly, and cinematic elements — and challenged the conventional distinction between the fine and the applied arts. “Fashion as Desire” highlights the fusion of art and fashion during the 1940s, when American modernism in magazine publishing established itself during the boom economy of the war years. Photographers such as Erwin Blumenfeld, or Irving Penn and Richard Avedon, both influenced by Brodovitch, as well as by Edward Steichen, merged art and fashion in their work, and altered the genre of portraiture. more »

"The consumer revolution of the mid-nineteenth century led to an explosion of available fashion goods at increasingly affordable prices. More middle- and even working-class women could buy industrially produced accessories; however, this accessibility created class tensions between the aspirational and those who had traditionally participated in luxury fashion... Social commentators judged women as extravagant or ruinous by the style of their hats, marked morality by the cleanliness of their gloves, and condemned by the vulgar color of their shoes. more »