Style and Fashion

Tissot’s career spanned the English Channel, garnering commercial and critical success both in London and Paris. Though invited by Degas to exhibit with the Impressionists, Tissot declined. He turned to social events and balls, painting metropolitan life with great attention to detail, humor and pathos. Upon close study, even his most ebullient society pictures reveal rich and complex commentary on Belle Époque culture, religion, fashion, and politics. more »

John Singer Sargent (1856–1925) was one of the greatest portrait artists of his time. While he is best known for his powerful paintings, he largely ceased painting portraits in 1907 and turned instead to charcoal drawings to satisfy portrait commissions. Many sitters recounted the speed and confidence with which Sargent worked; he finished most of these charcoals in less than three hours. The artist would often invite friends to drawing sessions to keep the sitters entertained and also to help enliven their features. The finished charcoal portraits are valuable testaments to Sargent’s prodigious skill as an artist and draftsman. more »

Rose Madeline Mula writes: I wore frilly, voluminous petticoats that propped up impossibly full dresses. Yes, these may have been ridiculous — but I think far preferable to today’s skirts and dresses that are stretched so tightly across tummies and tushies that they produce a series of unsightly horizontal wrinkles that have somehow become an accepted fashion statement instead of an abomination to be banished by a steam iron. And it’s amazing how women manage to sit while their torsos are bound in those impossibly tight, short frocks. (“Frocks.” Now that’s a word that really dates me.) more »

Inspired by an exhibition originally presented in 2014 at the Petit Palais in Paris, Paris 1900 re-creates the look and feel of the era through more than 200 paintings, decorative art objects, textiles, posters, photographs, jewelry, sculpture, and film, and will plunge visitors into the atmosphere of the Belle Époque. These objects, drawn from several City of Paris museums — including the Petit Palais, the Musée Carnavalet, the Palais Galliera, the Musée Bourdelle, and the Maison de Victor Hugo — form a portrait of a vibrant and swiftly changing city. more »