Art and Museums

Rose Madeline Mula Writes, Van Gogh and Me: I knew about Van Gogh's demons. That should have given me a clue that trying to paint will drive you crazy.  As we all know, despite Vinny's amazing talent, he became so deranged that he lopped off an ear. I once took a course titled, Watercolor Without Fear. It was wonderful. Following the instructor's excellent guidance I actually produced a fairly respectable painting of a rose that first evening. It was intoxicating! more »

“Curator Aimee Ng: We had the pleasure of getting to know this compelling portrait very well in 2019, when it was one of the highlights of Moroni: The Riches of Renaissance Portraiture, the special exhibition that introduced this artist to American audiences. At that time, the portrait was considered one of the finest by Moroni in private hands. We are thrilled to now include it in our permanent collection, thanks to Aso’s great generosity.” Giovanni Battista Moroni (1520/24–1579/80) spent his career painting in and around his native Bergamo, in Lombardy, then part of the Venetian Republic. His portraits are celebrated for the psychological presence and lifelikeness of the sitters, as well as his extreme attention to detail, particularly to his subjects’ clothing and accessories — sumptuous fineries that signal wealth, status, and fashion." more »

Roberta McReynolds Writes: "Not a Christmas went by without the hope of discovering a brand-new box of 64 crayons to unwrap. Opening the lid released that unforgettable whiff of waxy pigments, and revealed the first glimpse of rows of those perfect tips on display that had never yet touched paper. The body of each stick was double wrapped in paper to lessen the chance of breakage. Those little paper shrouds bore the official name of each color. It was necessary to peel back the paper as the crayons wore down with usage. As I picked at the edge of the stiff paper it would inevitably slip under my short fingernails and stab the tender quick. Tearing back the paper in uneven strips ruined the perfect appearance in my eyes. One time I removed the entire paper from every single crayon to make them all uniform, and soon discovered how difficult it was to discern the differences in the darker colors. I regretted the disaster I’d created and immediately began longing for my next new box of crayons." more »

"Enheduanna and Women of Mesopotamia, ca. 3400-2000 B.C. brings together for the first time a comprehensive selection of artworks that capture rich and shifting expressions of women’s lives in ancient Mesopotamia during the 3rd millennium B.C. These works bear testament to women’s roles in religious contexts as goddesses, priestesses, and worshippers as well as in social, economic and political spheres as mothers, workers, and rulers. Claude Gillot: Satire in the Age of Reason explores the artist’s inventive and highly original draftsmanship and places his work in the context of the artistic and intellectual activity in Paris at the dawn of a new century." more »