Theater and Film

If you live in Canada or New Zealand, January 1st 2018 would be the day when the works of René Magritte, Langston Hughes, Dorothy Parker, Jean Toomer, Edward Hopper, and Alice B. Toklas enter the public domain.1 So would the musical compositions of John Coltrane, Billy Strayhorn, Paul Whiteman, Otis Redding, and Woody Guthrie. Canadians can now add a wealth of books, poems, paintings, and musical works by these authors to online archives, without asking permission or violating the law. And in Europe, the works of Hugh Lofting (the Doctor DoLittle books), William Moulton Marston (creator of Wonder Woman!), and Emma Orczy (the Scarlet Pimpernel series) will emerge into the public domain, where anyone can use them in their own books or movies. more »

The Downton Abbey-themed experience has opened: The Exhibition opened in New York City on Nov. 18, and runs through the month of January before traveling throughout the US. It will connect fans with their favorite characters, costumes, locations and historic events of the era, as well as showcase never-before-seen footage. In the meantime, the Lightner Museum in St. Augustine, Florida is presenting a costume history of the period surrounding World War I, a period that changed the social fabric of Great Britain.   more »

Rose Madeline Mula writes: The woman on that screen would one day become my friend — we would correspond, chat on the phone, and even visit each other's homes. The glamorous Joan Fontaine of Hollywood, California, did meet and befriend the shrinking violet from Waltham, Massachusetts. Both events occurred many years after that day in 1940 when Rebecca captured my soul and took up permanent residence there as my favorite movie of all time. Surprisingly, it is the least loved work of its beautiful star, even though it had won her an Oscar nomination. more »

During the recent UK broadcast, The Telegraph (London) was delighted to find that "Corfu was still sun-drenched, the titular family of lovable eccentrics remained in perpetual chaos and ... the tone was, as before, one of warm nostalgia and deep, abiding silliness." And The Guardian (London) hailed Season 2 as "sweet, and charming, and pretty, and funny…. [It's] that rather nice thing: Sunday night family drama entertainment." more »