Setting the context for the exhibition will be two seven-foot-tall panels reproduced from one of Klimt’s most celebrated works, the Beethoven Frieze (1902). The exhibition copy of the frieze will give American audiences a special opportunity to experience the iconic work outside of Vienna. Widely regarded as the start of Klimt’s "golden period", the frieze was painted for the 14th Vienna Secessionist exhibition in celebration of Beethoven's Ninth Symphony and illustrates the human desire for happiness in a tempestuous world marked by suffering.
A key moment of the exhibition will be the meeting between Klimt and Rodin in 1902. While Klimt, the president of the Vienna Secession, was still developing his signature style, Rodin was at the peak of his international fame. Vienna was honored to welcome the sculptor, who had exhibited several key works at the Vienna Secession — one of the most innovative manifestations of Viennese Modernism — the year prior. Rodin visited the exhibition in person and was fascinated by its temple-like space and the groundbreaking Beethoven Frieze, which lead to a meeting between the two artists. Klimt & Rodin will stage another encounter between the two artists for the first time in more than a century.
Miss Eve Fairfax (La Nature) by Auguste Rodin ca. 1907; a work from the collections of the de Young and Legion of Honor museums of San Francisco, CA
"Rodin’s work represents modernity in sculpture and the rejection of the academic tradition, and has inspired admirers and followers all over the world," states Martin Chapman, curator in charge of European decorative arts and sculpture at the Fine Arts Museums. "It's a great pleasure to be able to show our extraordinary holdings with a rich trove of paintings and sketches by Klimt from significant collections around the world."
Approximately 25 sculptures and works on paper by Rodin from the Fine Arts Museums’ collection will provide visual dialogues with the works by Klimt. The exhibition is thematically arranged around the Vienna Secession, Rodin's 1901 exhibition in Vienna, Rodin’s 1902 visit to Vienna, Klimt's landscapes and Rodin’s surfaces, and the depiction of women for both artists an eternal source of inspiration exploring shared touch points and developments in the two artists' practices throughout.
Klimt’s portrait style will be represented through his modern paintings of society women, such as Portrait of Sonja Knips (1898), Johanna Staude (1917-18), and The Black Feathered Hat (1910), the latter from a period when the French influence in Klimt’s work was particularly strong. Also on view will be a number of erotic drawings, highlighting his preoccupation with the female body. Klimt’s landscape paintings, revealing his independence of form, represent another significant genre in the exhibition; from the early impressionist On Lake Attersee (1900), to the later Italian Garden Landscape (1913), engaging more expressive brushwork and color.
The Legion of Honor is the sole venue for the exhibition, which will be on view through January 28, 2018. The exhibition is guest curated by Dr. Tobias G. Natter; leading Klimt scholar, previous director of the Leopold Museum and former curator in chief at the Belvedere in Vienna, with contribution from Martin Chapman, curator in charge of European decorative arts and sculpture at the Fine Arts Museums of San Francisco.
And, visit the Legion of Honor shop, (as well as the DeYoung Museum, both of which we've visited many times ... including for this exhibit) ...
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