Art and Museums

Sofonisba Anguissola and Lavinia Fontana trained in Cremona and Bologna, Italy, respectively; two geographically close artistic centres but ones characterized by their particular artistic, social and cultural traditions. They came from different types of families and had different lives although in both cases the role of their fathers had a fundamental influence on their careers. Both were able to overcome the stereotypes that society assigned to women in relation to artistic practice and the deep-rooted scepticism regarding their creative and artistic powers. As a result, they made use of painting to achieve a significant position in the society in which they lived.  more »

In Rumors of War, Wiley draws from a series of paintings he created in the early 2000s when, inspired by the history of equestrian portraiture, he replaced traditional white subjects depicted in large-format paintings with young African American men in street clothes. At that time, these works were a reaction to the conflicts in Iraq and Afghanistan. Nearly two decades later, Wiley’s public sculpture, taking its name from a biblical phrase found in Matthew 24:6, addresses the violence that continues not just in the Middle East but every day on the streets of this nation. Rumors of War also offers an exquisite example of how to imagine and develop a more complete and inclusive American story. more »

The exhibition features clocks, automata, furniture, scientific instruments, jewelry, paintings, sculptures, print media, and more — from The Met collection and more than 50 lenders. Among the many loans will be silver furniture from the Esterházy Treasury; the alchemistic table bell of Emperor Rudolf II; a large wire-drawing bench made for Elector Augustus of Saxony; a rare example of an early equation clock by Jost Bürgi; and a reconstruction of a late 18th-century semi-automaton chess player, known as “The Turk,” that once famously caught Napoleon Bonaparte cheating. more »

The exhibition at the Museum of Craft and Design in San Francisco aims to make concepts accessible to a general audience and to address climate change through four centralized themes that reflect key characteristics about survival architecture: Circular — the importance of creating structures made of materials that can be used and reused indefinitely; Portable — the ability to create easily moveable and nomadic dwellings; Visionary — forward-thinking ideas that can radically change the way we think about shelter; and Resilient — structures that can adapt to adverse and dynamic circumstances. Linda Gass: My textile, glass, and mixed-media artworks address these concerns – how our infrastructure and development policies are failing under climate chaos – and invite the viewer to ponder the question ‘what can we do better?'” more »