The nation of France, and its capital city of Paris in particular, held a special status in European culture during the 18th century. The upper echelons of societies throughout Europe were predominantly Francophiles — imitating French fashions of dress and furniture in their daily lives. On view in the Exhibitions Pavilion at the J. Paul Getty Museum at the Getty until August 7, Paris: Life & Luxury re-imagines, through art and material culture, the complex and nuanced lifestyle of elite 18th century Parisians who made their city the fashionable and cultural epicenter of Europe.

Inspired by the Getty Museum’s extensive French decorative arts collection and the correspondingly strong holdings of French illustrated books in the Getty Research Institute, Paris: Life & Luxury provides a rich cultural and historical experience that closely mirrors daily life in 18th century France. Bringing together approximately 160 objects, roughly half of which will be on loan from twenty-six museums and private collections around the world, the exhibition includes a wide range of paintings, sculpture, applied arts, drawings, metalwork, furniture, architectural fittings, lighting and hearth fixtures, scientific and musical instruments, clocks and watches, textiles and dress, books, and maps.

David Bomford, acting director of the J. Paul Getty Museum said,  "Paris: Life & Luxury transports viewers back to Paris in the mid-1700s. More than celebrating the period or perpetuating the mythology of its charm and gallantry, this exhibition re-imagines the varied and complex range of values and practices of the city’s elite within a rich material context."

Following a structure based on the traditional visual allegories of the Four Times of Day, the objects in the exhibition are grouped according to their associations with common activities as pursued in the chronology of a single day, from morning to night. As such, objects of diverse mediums are juxtaposed, as they would have been within an 18th -century Parisian domestic setting, regardless of modern museological or academic categories. Through constellations of art and related artifacts, the exhibition follows the conventional activities in the cycle of a Parisian day, such as dressing, writing, collecting, eating, and evening entertainment — allowing visitors to envision the activities and accessories of quotidian life, in order to find resonances with their own daily lives.

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