The exhibition Palaces for the People: Guastavino and America’s Great Public Spaces is debuting at the National Building Museum and runs through January 20, 2014.

The Guastavino family’s soaring tile vaults grace many of the nation’s most iconic structures including Grand Central Terminal (see page two), the Cathedral of St. John the Divine, the Boston Public Library, the US Supreme Court, and the Nebraska State Capitol (see below). Yet the name, the accomplishments, and the architectural legacy of this single family of first-generation Spanish immigrants are virtually unknown. 

Not only did the Guastavinos and their company help build many great American public spaces between 1881 and 1962, they also revolutionized American architectural design and construction. Their patented vaulting techniques made it possible for architects to create the breathtakingly beautiful spaces that represent the nation’s highest ideals and aspirations.

Palaces for the People sheds lights on the story of Rafael Guastavino Sr. (1842–1908), arguably the most influential architectural craftsman working in late-nineteenth and early-twentieth-century America. An established master builder in Barcelona, Guastavino immigrated to New York with his young son, Rafael Jr. (1872–1950), in 1881. His patented tiling system — based on a centuries-old Spanish building method — enabled the construction of self-supporting arches that were simultaneously lightweight, virtually indestructible, fireproof, and attractive. The construction system interlocked and layered thin clay tiles and quick-setting mortar in highly decorative patterns. Compared to stone or brick vaults which required additional time and materials, Guastavino’s tile vaults were exceptionally economical and highly versatile. Within a few short years, Guastavino’s signature vaulting technique had transformed the American architectural landscape.

With support from the National Endowment for the Humanities (NEH), the Massachusetts Institute of Technology (MIT), the International Masonry Institute (IMI), the International Union of Bricklayers and Allied Craftworkers, ZGF Architects LLP, and Spain Arts & Culture, the National Building Museum will present a major gallery exhibition, tours, and lectures dedicated to highlighting Guastavino’s work. The exhibition will include historic drawings, photographs, and objects, along with newly commissioned photographs by London photographer Michael Freeman to help make the art, engineering, and the immigrant story come alive for today’s audiences.

Photographs by Michael Freeman:

1. The vaulted arcade below the approach to the Queensboro Bridge now houses a grocery store, New York City, architect Henry Hornbostel (1909)

2. Tile vaulting with mosaic murals, Rafael Guastavino Jr. and Hildreth Meière for architect Bertram Goodhue, Nebraska State Capitol (1931).

Pages: 1 · 2

More Articles

• When Bridges Collapse; the Value of New Perspectives on Climate Change Impact
• Happy Holidays Aloft: Flight Engineer Peggy Whitson On Third Long-Duration Mission to the International Space Station
• Printing a Child’s World at the Met Museum, The Summer of Hamilton at New York Historical Society and Roz Chast at Museum of the City of New York
• Jo Freeman's Convention Diary: Cleveland Had More Police Than Protesters and Philly Was Cop-Lite
• Elaine Soloway's Rookie Widow Series: Cheapskate, Environmentalist, or Chicken; How Journaling Propels Me Forward; Que Sera, Sera
• The Art of Adriana Varejão Surrounds a Rio Olympics Aquatics Stadium
• It's Time to Hang Up My Traveling Shoes
• Learning to Ride – or Not: A Permanent ineptitude With Regard to Two Wheels
• In This Election Year, The Belmont-Paul Park Site: Force-feeding and Imprisonment Could Not Stop Suffragist Alice Paul
• Culture Watch Reviews by Joan L. Cannon: The Railway Man's Wife and The Yoga of Max's Discontent