Her father remarries a celebrated and charismatic singer, Paula Lindberg, who Charlotte adores. Salomon makes her one of the central characters of Life? or Theatre?, giving her the name Paulinka Bimbam (Lindberg’s father was a rabbi and ‘bimbam’ refers to a word from a song sung on the Jewish Sabbath). As the prologue continues, the family is increasingly excluded from public life due to anti-Semitic policies instituted after Hitler’s rise to power in 1933. Her father loses his job, her stepmother is barred from making public appearances and Charlotte’s worldly grandparents emigrate to the south of France. Charlotte leaves school and takes up private drawing lessons. A year later, she remarkably enters Berlin’s Art Academy, admitted as part of a small quota of Jews. She was considered an unremarkable student.
Enter Amadeus Daberlohn (whose real name was Alfred Wolfsohn), an unemployed voice teacher shellshocked from the First World War. With his extravagant theories about the connection between the soul and creativity, he would become one of the central characters of Life? or Theatre?, capturing young Charlotte’s heart. Amadeus, however, is smitten with Charlotte’s alluring stepmother, and only eventually turns his attention to Charlotte, primarily as the subject of his theoretical investigations. Salomon, acknowledging the foolishness of the situation, reserves some of her funniest and most astute character analyzes for the beloved, but somewhat pompous Amadeus. Whether or not this great, but unrequited love was more fact or more fiction, the text strongly suggests that it was this man’s encouragements that fired Salomon’s artistic ambitions and sustained her to the end of her life.
As the story continues, Charlotte’s father is briefly sent to a concentration camp (her stepmother miraculously obtains his release). Germany is deemed too dangerous, and Charlotte is sent to her grandparents in the south of France.
The epilogue begins as France declares war on Germany and Charlotte’s grandmother takes her own life out of despair at the growing threat. It is at this time that Charlotte learns about the real nature of her mother’s suicide and the history of suicide in her family. When the south of France is cleared of foreign immigrants, she and her grandfather are briefly interned in a camp, but are released due to her grandfather’s age.
More Articles
- Against All Odds, Rita Levi-Montalcini’s Story: “No food, no husband, and no regrets”
- The Century of the Child: Contributions of women as architects, designers, teachers, critics, and social activists
- Why Census Demographics and Commedia dell'Arte Masks Are Sexy
- Improv Improves and Alleviates Anxiety
- “While These Visions Did Appear”: Shakespeare on Canvas
- Two Exhibits: Maya Zack and The Living Room; Collecting Matisse and Modern Masters by The Cone Sisters of Baltimore
- Television, Music and Playwrighting: "Women Today Don't Go Away"
- Memory Lane and Morality: How Childhood Memories Promote Prosocial Behavior
- Poster styles, Propaganda Messages and Advertising History: When Beans Were Bullets
- Curious George Saves the Day: The Art of Margret and H. A. Rey






