Val Castronovo

Val Castronovo writes: "I was walking along the road with two of my friends. The sun set — the sky became a bloody red. And I felt a touch of melancholy — I stood still, dead tired — over the blue-black fjord and city hung blood and tongues of fire. My friends walked on — I stayed behind — trembling with fright. I felt the great scream in nature. E.M." more »

Val Castronovo reviews: A collaboration between The Met, The Art Institute of Chicago and the Musée d’Orsay in Paris, the works collected chronicle the golden years of Impressionist painting from the mid-1860s to the mid-1880s when Paris became the style capital of the world ... the avant-garde sought to distinguish themselves ... and paint their subjects in a new, modern light, focusing on au courant costumes and accoutrements at the expense of the individuals’ physical characteristics. more »

Val Castronovo writes: Almost one-third of his portraits are of family members, and the ones of his wife, to whom he was extremely devoted, are quite arresting. Portraits were one of the mainstays of his career; he painted them from the time he arrived in the city up until his death. For an artist intent on blowing up the art world and defying convention, he had a quite conventional personal life. more »

Val Castronovo reviews: Matisse liked happy subjects and happy colors. His paintings are suffused with light and with bright, bold colors and exotic patterns derived from Islamic art (a favorite of his after visiting Morocco in 1912). He thought art should make you feel good, saying that he “dreamt of an art of balance and purity and serenity, devoid of troubling or depressing subject matter ... a mental soother ... like a good armchair.” more »