Val Castronovo

Edward Hopper drew inspiration for his urban landscapes from the streets and architecture of New York City, which he prowled from his home base in the Village. His trademark preoccupation with ordinary subjects — diners, bridges, roads, boarding houses, bedrooms and gas stations — and a fascination with solitary figures and their reveries, defined him. His figure paintings, many of women and many of his wife-turned-model Josephine, are infused with ambiguity, tension and poetic longing. more »

Val Castronovo writes: His debt to the Impressionists, his friend Monet in particular, is readily apparent in these sun-drenched, en plein air works that seek to capture particular moments in time. As the curators note, he was drawn to certain themes — "sun on stone, reclining figures tumbled together, patterns of light and shadow." White on white — light as it strikes a house, a sheet, a garment, a marble block or a balustrade. more »

Val Castronovo writes: A tribute to art and a tribute to science, the elaborate gilded works on display date from the early 16th to the 19th century. Their provenance: England, France, Italy, Germany and Switzerland. They were valued as much for their artistry and craft as for their functionality. They signified a person’s wealth and taste. Napoleon, Louis XVI, Marie-Antoinette, and the daughters of Louis XV were just some of the many rich and famous people who coveted them. more »

Val Castronovo writes:“The sporting girls” category of cards that are the main focus of this show was distinct from the more popular female series of the time, such as those depicting actresses and beautiful, alluring women, and bearing names such as Parasol Drills and The World’s Beauties. Nonetheless, sportif females were a “viable, even lucrative category,” we learn here. Now at the end of Women's History month 2013, athletes Lindsey Vonn and Maria Sharapova have become marketing gold. more »