Books
The Da Vinci Code
By Dan Brown
Doubleday
This is one of the hot new
books of the season. It is advertised as a murder mystery, but there
is never any doubt about the killer’s identity. It is discovering his
motive that sets us off on an intrigue-filled adventure.
The central character, Robert
Langdon, is described as a Professor of Religious Symbology at Harvard
who is in Paris to give a lecture. He has received a message that Jacques
Sauniere, a curator at the Louvre, needs to see him on a matter of some
urgency. When Sauniere does not show up for the meeting, Langdon returns
to his hotel room, only to be awakened in the wee hours by the Captain
of the Central Directorate Judicial Police who informs him that Sauniere
has been murdered. Langdon, it seems, is the chief suspect.
Taken to the crime scene
at the Louvre, Langdon meets Sauniere’s granddaughter, Sophie, who happens
to be a code specialist for the Department of Cryptography of the Judicial
Police. She notices clues that her grandfather left in the moments before
his death, including a message specifically to her to “find Robert Langdon.”
On the strength of this, she decides that Langdon is both innocent and
trustworthy, and maneuvers him into escaping the scene. They depart
on a long, circuitous route that finally leads them to England, with
the police in hot pursuit.
As they travel, their unfolding
discoveries include the truth about Sophie’s grandfather, who was part
of a secret group that does not accept the Roman Catholic Church’s male-centered
approach to the divinity. There are many discussions about early religious
concepts of God as an entity balanced in male/female aspect. The reader
is given a good amount of information about the works of Leonardo da
Vinci as well as about religious symbolism and the rumored doings of
many secret societies, including the Priory of Sion, Opus Dei, the Knights
Templar, and the Masons.
Anyone who has read Nikos
Kazantzakis’ The Last Temptation of Christ or Foucault’s Pendulum
by Umberto Eco will not be particularly surprised by the author’s claims
regarding Mary Magdalene, the Holy Grail, and the early Christian Church.
Neither will historians be surprised to learn that the New Testament
was collated in the fourth century under the reign of the pagan Emperor
Constantine (baptized only on his death bed), or that the four books
we call the gospels were selected from more than 80 gospels extant at
the time. Readers who believe in the inerrancy of the Bible may be uncomfortable
with Langdon’s insistence that it was written by men whose stories didn't
always agree, and it was other men a couple of hundred years later who
selected what would or would not be included in what we call the New
Testament, and produced many flawed translations.
While much of the subject
matter has been treated by many other writers, Dan Brown does not write
with the authority of a Kazantzakis or an Eco. The plot may intrigue,
but the writing itself is pedestrian at best. Mr. Brown could have used
an editor with a heavy blue pencil aimed at clichés, and a proofreader
who wouldn’t have let lines like “He let the hot water from the shower
message his shoulders” slip by.
This book is highly cinematic
in nature, and appears to have been written with Hollywood in mind.
It will probably become a movie replete with gorgeous locales and superbly-filmed
chases, as well as the requisite love interest. There is even a murderous
albino to add to the mix.
The Da Vinci Code
is a good, fast beach read for the summer ahead. Just don’t expect it
to be great literature
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Julia Sneden is a writer,
teacher, wife, mother, grandmother and care-giver. She lives in North
Carolina. She can be reached by email.