|
Help |
Site Map
|
Leaving Home
by Kristin
Nord
He
has decorated his bedroom bulletin board one last time -- with postcards
of his favorite places in Nova Scotia, and the recent reviews of
his debut as a performing artist at a local pub. His 18th birthday
has been a significant turning point for him, and he’s written the
various colleges that have accepted him, announcing tersely, he
will “not be furthering his education at this time.”
Instead he is bound for The Maritimes,
for a historic garrison city, where he will dress each day in the
uniform of a 78th Highlander, in yards of MacKenzie tartan set off
by brass buttons that he will polish each and every morning. Midday
and weekday afternoons he will play the Great Highland Bagpipe,
for tourists who will have no idea that he’s really a Connecticut
boy; or that it is unlikely he will ever be sent to war.
In his short lifetime he has had
several passions: sweet corn and well-done roast beef, a string
of sailboats, and stories that have taken him to far-off places
and examined some of the eternal issues we all face. Yet the Highland
bagpipe, this great beast of an instrument, with its accompanying
tales of tunes and battles, has loomed above all else in recent
years...that and the piping world, where he has found police officers
and solicitors, teachers and factory workers struggling to master
Lord’s Lovat’s Lament; The Bicker and Too
Long in this Condition.
I remember the shy, tow-headed
nine-year-old fighting back tears of frustration as he struggled
to stretch his fingers over the holes of a practice chanter, the
reedy recorder-like instrument that all students begin on. In time,
he became an accomplished player, for whom an instrument might actually
become a vehicle of deliverance. His playing matured, and earned
him an unusual window on the world. Though like the funeral or wedding
director, he’s sometimes seen people at their sleaziest...whether
it was the mayoral candidate, who ducked invoices for a year after
our child marched and piped for his campaign in the pouring rain;
or the nouveau Gold Coast matron, who was nasty to the help and
coerced him into playing three hours past the time they had agreed
upon at a New Year’s Eve party.
On the other hand, there are memories I
suspect he will treasure forever: the hilltop performance
he gave last summer for the descendants of Alexander Graham Bell
overlooking the Bras D’Or Lakes on Cape Breton Island. Or the mini-concerts
for his birdlike grandmother in the last months of her life, when
we sought to transcend out the oppressively cheerful Quaker nursing
home. With his brother on bodran, the Irish drum , and Matt on shuttle
pipes, we’d shut the door and pretend we had gathered for a party
at Grammy’s, in her little Bucks County house, the way we’d always
done.
Arriving in Halifax, as we help him settle into
his first apartment; he suddenly seems younger, baby-faced.
He surveys the empty living space, and looks out the 13th floor
window at the skyline of the first city he’s lived in.
The next morning I imagine him carrying
his music case along the tree-lined streets, past the narrow multi-colored
Victorians with bay windows. He’ll pass the Public Gardens, with
its serpentine borders dating back in style to Queen Victoria’s
time, before finally scaling the steep hill to The Halifax Citadel,
the star-shaped fortress and a national historic site, where he’ll
earn his keep.
By the time he calls us a few weeks later,
he has gotten The Citadel’s repertoire under his belt. He’s ventured
downtown on free evenings, catching acts from a recent jazz festival,
and strolling along the waterfront. Halifax-- with its outdoor concerts
and cafes, its museums, its outdoor theater, seems to suit
him.
Before we’ve parted he’s handed me
a book by the Canadian short story writer, Alistair MacLeod, steering
me to a story that is a particular favorite of his. Often
as a family, we have shared books as a way of sharing love, and
provoking ideas.
The story begins with a boy on his 18th birthday,
chafing at the morning daily rituals of the household he is determined
to leave. The character will travel many miles only to look back,
and to realize that he will carry his family and its values with
him.
“Are you learning a lot ?” his father asks him
on the night he calls. I am on the extension, listening in.
“Oh yes,” he assures him.
“Would you do it again?” -- a traditional family
question, shorthand to gauge conviction.
“Yes,” he says. I hear happiness in his voice
as he begins to make his way in the world, and a slight wistfulness
in ours, as we are left in the wings.
Matthew N. Phelps, a 1990
high school graduate, is the current Grade 1 Champion Supreme for
the United States Eastern Pipe Band Association. He is a serious
top level amateur competitor and a member of the Regional Halifax
Pipes and Drums in Nova Scotia, the only Grade 1 band on the Eastern
Seaboard.
Photo: The piper,
in full dress at the Halifax Citadel Historic Site and between
performances, with Mother looking on.
|
|