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Culture WatchPage Two of Angela Pressburger's May DVD Reviews
Deep Blue Loosely arranged on the cycle of the seasons, the same BBC team who brought us The Blue Planet, explores the never-ending process of survival and the lives of a variety of deep-sea creatures — from sharks and killer whales to strange-looking creatures that live in the black chasms of the deep ocean known as “liquid space” and which have never before been seen on film. Narrated for North American audiences by actor and
environmentalist Pierce Brosnan. Recognitions His father abandoned him, but his mother’s strength of character and big heart, encouraged him to life with dignity and confidence. He receives a prosthetic leg, learns to ride a racing bike and sets off on a 600 kilometer ride across to Ghana. That ride through a country where two million out of a population of twenty million are disabled, made him famous. Now married, the head of a charitable foundation, and a father himself, Emmanuel is shattering prevailing myths for what’s possible for the disabled in his country. He is currently pushing for a disability bill to entrench rights, such as vocational training and wheelchair accessibility, into Ghana’s constitution. Narrated by an
admiring Oprah Winfrey. Recognitions In order to move things along, Masa suggests Shukichi take an attractive young widow, Mrs. Miya, as his wife. He agrees and plays his part so convincingly that Noriko capitulates; a suitor is found and she marries — to someone we never see but is only described. After Noriko's wedding, the professor comes home alone and admits to himself — and us — that he only pretended to be in love again for his daughter's sake. And so both father and daughter will pay dearly for the rest of their lives for something neither of them wanted. The director’s handling of the debacle of these emotions is subtle, poignant and yet very direct. His ability to share his understanding of the characters’ innermost hearts is the genius that makes this work a masterpiece. Late Spring is the first in a series of films by Ozu about
families and the complex emotions that run beneath the surface of a
seemingly minimalist plot. It was followed by Late Summer and An Autumn
Afternoon — all featuring the same two actors.
Everyone bursts into song at the slightest provocation. Now that we’ve had 'Spaghetti Westerns' this may not seem quite as much fun, but it’s still pretty sparkling … and you really can’t beat such song titles as When the Smoke Thickens in the Bar and Do You See My Moist Lips? This is a thoroughly silly movie, of the type we all need from time-to-time. Angela Pressburger grew up in the film industry (father Emeric Pressburger made The Red Shoes, Black Narcissus and Stairway to Heaven). She has been been an international program consultant at the Vancouver International Film Festival for the past ten years, and has spoken about film and sat on festival juries in both Europe and North America. She has recently written Show It in Public! — a grassroots guide to showing film in public (www.showamovie.ca) and keeps busy writing reviews for her home video for discerning viewers website, MapToMovies.com Return to Page One of Angela's DVD Reviews<< Culture Watch Archives© 2006 Angela Pressburger for SeniorWomenWeb |
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