When my wife, Dody, and
I read about the sad, turbulent final years of Carol Channing’s
marriage to Charles Lowe, it brought poignancy to our memories of
the happier days when we knew them.
We met them in the Fifties. I was television editor of The
Houston Post and she was playing the Emerald Room of Glen McCarthy’s
Shamrock Hotel, the haunt of Houston’s jet set, the site of which
is now a parking lot. I’d interviewed Carol and said nice
things (richly deserved) in the paper. Charles Lowe, her
manager and husband, called and thanked me.
Dody and I met him, and Dody met Carol, when I reviewed her Shamrock
show. That was one of my perks as TV editor. I got
to take Dody to all the shows. (That started long before
we were married; one of our dates was to see Sonja Henie with
Houston Post freebies).
We had one of the early color sets in Houston and Carol wanted
to watch the Academy Awards before her performance as we were
two hours earlier than West coast time. She asked Dody if
it was okay to wear tights when she would later put on her costume. We
picked her up in her tights at the hotel. Ensconced in front
of the set, she wanted to know if we would mind if she put on
her eyelashes. Of course we didn’t. Dody watched fascinated
while she did it without a mirror. And she put on her contact
lenses, too, without using a mirror, moistening them with
saliva. (Later, when I got contacts, I remembered her technique
and used it in emergencies). Throughout the Oscars she entertained
us with the inside juicy about all the stars. Best
Oscar Awards we ever watched.
Our son, Eric (the veterinarian), was then six or seven. He
had a glass replica of the Rock of Gibraltar that looked like
a big polished but uncut diamond. He knew her big song was
“Diamonds Are a Girl’s Best Friend” so he gave it to her. She
noticed he had to go outside in the rain to sharpen his pencil
in a sharpener we had fastened by the door. Later she gave him
one of those sharpeners you can carry around in your pocket.
The Lowes invited us to an early dinner. They wanted to
go to a deli. We didn’t know what that was until they explained
it meant “delicatessen.” We had one of those in Houston. Our
teenage son, Fred, was invited, too, with a date. Eric was
too young to join us. Fred had a date with a pretty girl
named Candy Goldfarb. She was impressed. She would have
been even more impressed if she had known Fred was going to grow
up to be a senior vice president at the William Morris Agency
in Beverly Hills and Carol Channing would be among his clients.
He was one day to have the Lowes and us to dinner in the home
he shared with his wife, Susan, and their three children. She
brought her own dinner. Something out of a pressure cooker
that looked like boiled lamb. She was allergic to most of
the spices commonly used in cookery. Made her throat close
up, I think. Anyway, despite the strictest instructions,
chefs apparently could not resist adding something to give a dish
flavor.
Carol helped Eric impress a date, too. He was fourteen and on
his school’s bus tour cross country from Los Angeles, where we'd
moved to by then, to the East Coast. She invited him to
a Broadway production of “Hello, Dolly.” I thought she’d
given him her house seats but when I mentioned that when I told
him I was doing an article about her for SeniorWomen.com, this
is what he e-mailed:
“Actually, we had to sit on the steps in the last row of the
mezzanine because it was an SRO show. But we went back stage
and the girl that went with me (I was all of 14 but Etta was 15)
was sooooo impressed when Carol said, ‘Come give your Aunt Carol
a kiss!’ I did tell Etta that she wasn’t really my aunt
a couple of days later.”
Carol gave Dody and me our own special thrill when she came to
Los Angeles in a roadshow version of “Hello, Dolly.” She
gave us her house seats, right up front and center. She was
up near the footlights just before a big number and she shaded
her eyes and looked out into the audience and counted the rows
aloud, then the seats, “One, two, three, four. Westheimers.”
